Getting the feel of writing again means I’m gonna have to figure out the triage on what to fit into the structure of my posts and what not to. But given that I am writing about some of my favorite movies of all time where I have a plethora of feelings and thoughts about, y’all should probably get used to the idea of me doing this for the next few months after each review:
- I feel like I highly undermined George Lucas’ part in the creation of this film (especially since he conceived of the character himself and put together most of the production elements and oversaw the filming) so that I could have a thesis on what animated Spielberg’s directing style. Spielberg has long maintained that the Indiana Jones movies are work-for-hires for him and they’re pretty much Lucas’ baby. I’m hoping if I find time to ever write about the subsequent three movies, I can course correct and present Lucas as the central auteur of the series that he is. Certainly I’d have more to say about Lucas than Spielberg with Indiana Jones and the Temple of Doom.
- “Besides you know what a cautious fellow I am”, Indy says as he fucking tosses a pistol across the room into an open suitcase. No firearm care or caution.
- Also him saying he doesn’t believe in superstition kind of fails in the context of Temple of Doom being a prequel set before this movie.
- Spielberg’s desire to make a straight on horror movie shows in the climax of the film with ghostly effects and the outrageous amount of grisly carnage happening in this adventure matinee. In fact, the imagery of the villains’ heads violently shrinking, melting, and exploding is the very first scene of the movie I ever saw and never realized it wasn’t a horror movie until I watched it in context years later (it was specifically playing on the screen of a Costco when I was a child and I assumed it was like… Creepshow or something).
- Speaking of carnage, the bloodletting in the Nepal fight is pretty brutal as well and relatively jarring when alongside the moments of logs exploding on heads like cartoons. Still I absolutely love the moment with its “moment” by “moment” comic book strip style of framing and cutting, favoring background shadowplay in the light of fire and particularly the way that Indy escapes the flaming bar from immolating his face is where I learned to keep all elements of an action in each shot to creature sequence.
- While we’re in Nepal, let’s talk about what a great one-shot that introduction of Marion is: functioning as gag (the drinking stamina game with a great physical punchline), tease (the focus on our characters’ hands and glasses), establishing shot (showing us the scope and space of the bar), character moment (Marion proving she can hold her own with the boys). If only the rest of the movie hadn’t fucked her over.
- While we’re talking over flaws of the movie, which I feel are very few, I may as well address that Raiders of the Lost Ark is pretty damn Orientalist (among other things) and it’s probably my admiration of this film from an early age that got me already set on compartmentalizing problematic movies that still have my heart. Sucks that Spielberg and Lucas had, in their joy for 1930s adventure serials, also ended up taking up the ugly elements of them. Nevertheless, it’s nothing compared to the sort of shit that Indian people probably have to suffer with Temple of Doom from 3 years later (the only Indiana Jones movie that doesn’t actually have an issue with race I’d say is The Last Crusade and it’s still not… the best). In any case, if you want to hear a bunch of white men say the sort of shit you should have expected white men to say, read the transcript of Spielberg, Lucas, and Kasdan’s story conference.
- Finding out that John Williams wrote “The Raiders March” to the rhythm of saying “To the rescue… Doctor Jones… to the rescue… Indiana Jones!” still warms me up inside. I’d like to find out the lyrics he wrote his other famous themes to possible one day.
- Cutting from Indy saying “I don’t know, I’m making this up as I go along…” to him busting through on a white motherfucking horse to chase down the Nazi truck is one of my favorite cuts in all of cinema because I’m basic like that.
- Much like Jurassic Park suddenly had a drop beyond the T-Rex gate, Raiders of the Lost Ark has a sudden cliff for a Nazi and his truck to fall off of once Indy fucks him up… and I honestly just don’t care because it’s still fun and cool and Nazi Punks Fuck Off.
- I kind of feel bad for Pat Roach (even if he was in brownface during the scene in question) being unable to show off his swordfight choreography for that famous shootdown scene, but also y’know, not only is it a hilarious character moment in Indy… it’s also a great moment that shows how Spielberg – in his rush to get the movie made – cared for the well-being of his actors and crew and didn’t want to overwork them so boom! Sudden miracle of a gag!
- That stunt where Indy goes under the truck is still one of my all-time favorite stunts. And I also kind of like the slapstick of the bystander being on the windshield of the chase and then flying off, then Indy and the driver share a laugh until Indy punches him in the face and kicks him out the car because Fuck You, Nazi.
- Most importantly, that moment in the U-Boat where Indy hits a Nazi guy who fell below the frame and somehow that punch made the Nazi bitch’s cap fly up so Indy could put it on as a disguise is also a great gag.
- People like to point out that if Indy had done nothing, Hitler would have been killed by the Ark probably. I respond to them with the words of the Dude: “You’re not wrong (well, you kind of are wrong since if Indy had done nothing, they would have never reached the Ark in the first place as they didn’t have the right location), you’re just a fucking asshole.”